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CATE: Vivienne Dick: No Wave Films, Thurs., Feb. 3 @ 6 p.m.

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VDick_SheHadHerGun Vivienne Dick: No Wave Films
Thursday, February 3, 6:00 p.m.

Gene Siskel Film Center
(164 N. State St. / 312.846.2600)

Still from She Had Her Gun Already (Vivienne Dick, 1978). Courtesy the artist and LUX, London.

"The quintessential No Wave filmmaker." - J.Hoberman

One of the most important filmmakers to emerge from New York's seething No Wave scene, and currently enjoying a resurgence of interest in her work, Ireland-born Vivienne Dick created a series of Super-8 films in the late 1970s that balance stripped-down narratives with visceral and moody performances by artists and musicians like Lydia Lunch, Pat Place, Adele Bertei, and Ikue Mori. Writes Ed Halter in Artforum , "Obsessed with exhuming repressed traumas, voicing beaten-down identities, and generally meandering through a complex matrix of bad vibes, Dick's works...are unapologetically messy, subjective, and political-thereby proposing that so, too, is life." This evening's program features her No Wave small-gauge masterpieces, She Had Her Gun Already (1978) and Beauty Becomes the Beast (1979), among others. 1978-79, Vivienne Dick, USA, Super-8mm on PAL Digibeta video, ca. 80 mins.

VIVIENNE DICK (b. 1950, Donegal, Ireland) studied Archaeology and French at the University College Dublin and received an MA in film and video at the University of Arts, London. In her early hears, she lived in France and Germany and traveled throughout India. Moving to New York City in the mid-1970s, she was part of a loose group of filmmakers, artists, and musicians. Her early films initially screened in music venues, later traveling to many independent cinemas across the US and Europe. She moved to London in 1984 and returned to the west of Ireland in 1999, where she continues to make films and videos. Her work has screened at many festivals, including New York, Edinburgh and Berlin, and museums, including the Tate Britan, MoMA, The Whitney Museum of Art, the Walker Arts Center, and the IMMA Dublin. She was the recent subject of several large scale retrospectives at the Tate, Crawford Art Gallery, and Artists Space in New York.

CATE is organized by the School of the Art Institute's Department of Film, Video, New Media & Animation collaboration with the Gene Siskel Film Center and the Video Data Bank.

We have a blog! Visit us at www.saic.edu/cateblog.



UPCOMING PROGRAMS:


2/10 - The Wild Triumphs of Martha Colburn (Martha Colburn in person!)

2/17 - Rose Lowder's Bouquets (Rose Lowder in person!)

2/24 - Andrea Geyer: Criminal Case (Andrea Geyer in person!)

3/3 - Radical Closure

3/10 - Yael Bartana: A Declaration (Yael Bartana in person!)

3/17 - The Disappointment: Or, The Force of Credulity (Brian Springer in person!)

3/31 - Tony Cokes: Notes on Evil (and Others) (Tony Cokes in person!)

4/7 - Botborg! (Live performance! Joe Musgrove and Scott Sinclair in person!)

4/14 - Aberration of Light: Dark Chamber Disclosure (Live performance! Sandra
Gibson, Luis Recoder, and Olivia Block in person!)




LOCATION AND TICKETS

Programs take place Thursdays at 6:00 p.m. at the Gene Siskel Film Center (164 N. State St.), unless otherwise noted.

CATE is FREE to SAIC students with a valid student ID. Tickets are $10 General public, $5 Film Center members, $7 students, and $4 SAIC faculty and staff and Art Institute of Chicago staff.

Any person with a disability who would like to request an accommodation for this program should contact the Disability and Learning Resource Center at dlrc@saic.edu or 312.499.4278 as soon as possible to allow adequate time to make proper arrangements.



About the School of the Art Institute of Chicago


A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from across the globe. Located in the heart of Chicago, SAIC's educational philosophy is built upon a multidisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu.
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February 2011

FEBRUARY 2011
 
FILM EVENTS
Killer of Sheep
Sunday, February 13 at 2:00 p.m.

Director in person
One of only a few contemporary filmmakers to be honored with a MacArthur Fellowship, the Maya Deren Award of the American Film Institute, and Howard University's Paul Robeson Award for outstanding achievement, Charles Burnett introduces a program of his work, including early short films and the feature Killer of Sheep. (Charles Burnett, 1977, 81 minutes)

Les Lutins du Court-Metrage: Festival of New French Shorts
Sunday, February 13 at 5:00 p.m.

Titles include The North Road (La Route du Nord), Another's Reason (La Raison de l'Autre), The Best Place (L'Endroit Ideal), and The Herd (La Harde). Total running time approximately 105 minutes

Lou Harrison: A World of Music
Saturday, February 26 at 4:00 p.m.

(Eva Soltes, 2011, 90 minutes)
World premiere
Post screening discussion with director in person
The culmination of two decades of research and documentation, Lou Harrison: A World of Music features rare footage, personal recordings, and extraordinary dialogue with the American music pioneer, writer, and activist, as well as extended passages of Harrison's hauntingly beautiful scores.

www.nga.gov/programs/film/index.htm#art-films
FILM PROGRAM: SERIES
Neorealismo 1941–1954: Days of Glory
Born out of turmoil in postwar Italy, neorealism addressed a moral and aesthetic need in the Italian cinema. This series spans the decisive decade when the political and social order in Italy was still fermenting; it features a variety of formal approaches by eight directors along with critical writers such as Cesare Zavattini and Carlo Lizzani. Presented in association with Centro Sperimentale di Cinematografia-Cineteca Nazionale and Cinecitta Luce S.p.A. and the Embassy of Italy, with thanks to the Pacific Film Archive, Susan Oxtoby, Laura Argento, Rosaria Focarelli, and the Italian Cultural Institute of Washington.

Teresa Venerdi
Friday, February 4 at 2:30 p.m.

(Vittorio De Sica, 1941, Italian with subtitles, 94 minutes)

Bicycle Thieves (Ladri di Biciclette)
Saturday, February 5 at 2:00 p.m.

(Vittorio De Sica and Cesare Zavattini, 1948, Italian with subtitles, 93 minutes)

Miracle in Milan (Miracolo a Milano)
Saturday, February 5 at 4:00 p.m.

(Vittorio De Sica and Cesare Zavattini, 1951, Italian with subtitles, 95 minutes)
Introduced by Millicent Marcus, professor and director of graduate studies, Italian department, Yale University

The Earth Trembles (La Terra Trema)
Sunday, February 6 at 4:30 p.m.

(Luchino Visconti, 1948, Italian dialects with subtitles, 165 minutes)

Bellissima
Friday, February 18 at 2:30 p.m.

(Luchino Visconti, 1953, Italian with subtitles, 114 minutes)

Without Pity (Senza Pieta)
Saturday, February 19 at 2:00 p.m.

(Alberto Lattuada, 1948, Italian with subtitles, 95 minutes)

The Overcoat (Il cappotto)
Saturday, February 19 at 4:00 p.m.

(Alberto Lattuada, 1952, Italian with subtitles, 99 minutes)

Sunday in August (Domenica d'Agosto)
Sunday, February 20 at 4:30 p.m.

(Luciano Emmer, 1950, Italian with subtitles, 88 minutes)

Chronicle of Poor Lovers (Cronache di poveri amanti)
Saturday, February 26 at 1:30 p.m.

(Carlo Lizzani, 1954, Italian with subtitles, 108 minutes)

www.nga.gov/programs/film/Neorealismo.htm
FILM PROGRAM: SERIES
Jem Cohen: Curious Visions
Since the early 1980s, American filmmaker Jem Cohen (b. 1962) has been creating a unique oeuvre of shorts and features that extends the principles of portraiture to nonfiction cinema. Working in collaboration with his artist subjects, usually over several years and in a range of formats, Cohen's work both documents and transcends conventions. Shorts and excerpts from works in progress, introduced by the artist himself, are followed later in the month by Instrument, his feature on the musical group Fugazi. This program is the initial installment of a new quarterly film event, "American Originals Now."

Jem Cohen: Recent Shorts and Other Works
Saturday, February 12 at 2:30 p.m.

Director in person
Total running time approximately 100 minutes

Instrument
Sunday, February 27 at 5:00 p.m.

(1999, 115 minutes)
Members of Fugazi in person

www.nga.gov/programs/film/JemCohen.htm
CHILDREN'S FILM PROGRAM
Food Glorious Food
Saturday, February 5 at 10:30 a.m.
Sunday, February 6 at 11:30 a.m.

recommended for ages 5 and up

This delicious collection of live-action and animated short films whips up a program full of satisfying stories crammed with delectable and juicy characters! Films include the multi-award winning stop motion animation Crema Suprema (Ellenora Ventura, Canada, 2008) about two bakers competing to win the World's Greatest Cake Contest; a sweet recipe from Puppy's Super Delicious Valentines Day Biscuits (Annie Poon, U.S., 2009); the computer animation Fishing with Sam (Atle S. Blakseth, Norway, 2009) that explores creative ways some animals compete for food in the North Pole; Ormie (Rob Silvestri, Canada, 2010) about a pig's quest for cookies; the nonfiction short Shikashika (Stephen Hyde, U.S., 2008) that follows a quest up the Peruvian Andes to harvest ice for a delicious treat; and the investigative How Do They Put the Centers in Chocolates? (Don White, Canada, 1997). Approximately 60 minutes.

www.nga.gov/programs/flmchild/index.htm#food_glorious_food
Films are shown in the East Building Auditorium, 4th Street at Constitution Avenue NW. There is no charge for admission but seating is on a first-come, first-seated basis. Doors open approximately 30 minutes before each show time. Programs are subject to change.

For more information call (202) 842-6799, e-mail film-department@nga.gov or visit www.nga.gov/programs/film/

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