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Warhol foundation shuts its authentication board

NEW YORK. The Andy Warhol Art Authentication Board will be dissolved in early 2012. The decision was announced by the Andy Warhol Foundation after a strategic review of its core aims, according to Joel Wachs, the president of the foundation. The foundation will continue its work in establishing the artist’s complete catalogue raisonné...READ MORE

The hunt for missing government art

The Government Art Collection isn’t entirely sure where everything is…

Dynasty prepares to share its family secrets

In his first ever interview, the dealer and collector Helly Nahmad reveals details about the family collection, which goes on show in Zurich this month

Scheme to buy Wrapped Reichstag...

...and display Christo’s archive in the Bundestag

Is the British Empire’s legacy under threat?

British Empire and Commonwealth Museum plays down growing fears about the condition of its collections

Oslo to get giant sculpture park by 2014

Collector Christian Ringnes is behind €39m project

Wisconsin’s Chazen Museum reopens this month

Sean Scully has opening show

Nada goes online

Fair to work with website Paddle8 to preview and sell art

Who owns this damaged masterpiece by Henry Moore?

No one is taking responsibility for the work, which stands opposite the Houses of Parliament

A “landmark” museum
for Ukraine

In a rare interview, Victor Pinchuk tells us about his plans to build a new contemporary art space in Kiev

Beuys returns to Schloss Moyland

Museum risks €250,000 copyright fine

The rebirth of postmodern design

The market for the movement is in its infancy, but growing, thanks to scholarship and collector interest

All Articles

video

Frieze roundup 2011

Frieze once more opened its doors to a backdrop of global economic and civil unrest. Dealers approached the week with some degree of trepidation but remained determined to think positive. However, while visitor numbers remained high, sales proved slower than in previous years.

more videos

what's on

Youth and Beauty: Art of the American 20s

NEW YORK. When Madison Avenue became the centre of the American advertising industry in the 1920s, the first Mad Men ­arrived, selling the ingredients of modern life, from breakfast cereals to Henry Ford’s Model Ts. Young, talented and dapperly dressed, among their ranks was Paul Cadmus. One of a new breed, he was an advertising artist. The Brooklyn Museum in 2007 bought Cadmus’s portrait by his friend Luigi Lucioni for a record $91,000 (est $15,000-$25,000), which will be ­displayed alongside further ­portraits, cityscapes, sculpture and photographs by 67 artists in what the museum hopes will lead to a reassessment of American art from the decade.

all exhibitions

offers

30% off tickets for Crunch

Crunch: the Art and Music Festival (18th-20th November), is back with a new theme, Awake in the Universe. What gives art the ability to raise us from our emotional and intellectual slumbers and where is its edge currently to be found? Are elements of the contemporary art world asleep and where should we look for vitality?

Join Serpentine Director Hans Ulrich-Obrist as he discusses the rise of the curator; outspoken artist Jake Chapman on the inspiration behind his seminal works in conversation with Paradise Row founder Nick Hackworth; award-winning novelist and playwright Mark Haddon on the conflict between poetic and rational thought;former ICA director Philip Dodd and Tate Modern curator Cedar Lewisohn on the politics of imagination; plus Don’t Look Now acclaimed director Nicolas Roeg, prominent art historian Griselda Pollock, RSC Director Adrian Noble and many, many more.

Running alongside this, the Crunch Art Fair will showcase the best of contemporary art, with exhibitions from leading galleries including Paradise Row, Poppy Sebire, Alicia David Contemporary, Andipa, View Art, Gabriel Rolt, Open, Sumarria Lunn and EB&Flow.

The Art Newspaper readers can get 30 per cent off all tickets by typing in THE ART NEWSPAPER at the checkout.

http://www.artfestivalathay.org

 

The Art Newspaper newsletter


Having trouble viewing this email? Click to view it in your browser

 
 

 

lead

Warhol foundation shuts its authentication board

NEW YORK. The Andy Warhol Art Authentication Board will be dissolved in early 2012. The decision was announced by the Andy Warhol Foundation after a strategic review of its core aims, according to Joel Wachs, the president of the foundation. The foundation will continue its work in establishing the artist’s complete catalogue raisonné...READ MORE

The hunt for missing government art

The Government Art Collection isn’t entirely sure where everything is…

Dynasty prepares to share its family secrets

In his first ever interview, the dealer and collector Helly Nahmad reveals details about the family collection, which goes on show in Zurich this month

Scheme to buy Wrapped Reichstag...

...and display Christo’s archive in the Bundestag

Is the British Empire’s legacy under threat?

British Empire and Commonwealth Museum plays down growing fears about the condition of its collections

Oslo to get giant sculpture park by 2014

Collector Christian Ringnes is behind €39m project

Wisconsin’s Chazen Museum reopens this month

Sean Scully has opening show

Nada goes online

Fair to work with website Paddle8 to preview and sell art

Who owns this damaged masterpiece by Henry Moore?

No one is taking responsibility for the work, which stands opposite the Houses of Parliament

All Articles

video

Frieze roundup 2011

Frieze once more opened its doors to a backdrop of global economic and civil unrest. Dealers approached the week with some degree of trepidation but remained determined to think positive. However, while visitor numbers remained high, sales proved slower than in previous years.

more videos

what's on

Youth and Beauty: Art of the American 20s

NEW YORK. When Madison Avenue became the centre of the American advertising industry in the 1920s, the first Mad Men ­arrived, selling the ingredients of modern life, from breakfast cereals to Henry Ford’s Model Ts. Young, talented and dapperly dressed, among their ranks was Paul Cadmus. One of a new breed, he was an advertising artist. The Brooklyn Museum in 2007 bought Cadmus’s portrait by his friend Luigi Lucioni for a record $91,000 (est $15,000-$25,000), which will be ­displayed alongside further ­portraits, cityscapes, sculpture and photographs by 67 artists in what the museum hopes will lead to a reassessment of American art from the decade.

all exhibitions

offers

30% off tickets for Crunch

Crunch: the Art and Music Festival (18th-20th November), is back with a new theme, Awake in the Universe. What gives art the ability to raise us from our emotional and intellectual slumbers and where is its edge currently to be found? Are elements of the contemporary art world asleep and where should we look for vitality?

Join Serpentine Director Hans Ulrich-Obrist as he discusses the rise of the curator; outspoken artist Jake Chapman on the inspiration behind his seminal works in conversation with Paradise Row founder Nick Hackworth; award-winning novelist and playwright Mark Haddon on the conflict between poetic and rational thought;former ICA director Philip Dodd and Tate Modern curator Cedar Lewisohn on the politics of imagination; plus Don’t Look Now acclaimed director Nicolas Roeg, prominent art historian Griselda Pollock, RSC Director Adrian Noble and many, many more.

Running alongside this, the Crunch Art Fair will showcase the best of contemporary art, with exhibitions from leading galleries including Paradise Row, Poppy Sebire, Alicia David Contemporary, Andipa, View Art, Gabriel Rolt, Open, Sumarria Lunn and EB&Flow.

The Art Newspaper readers can get 30 per cent off all tickets by typing in THE ART NEWSPAPER at the checkout.

http://www.artfestivalathay.org

 

artnet's October Newsletter: Istanbul Biennial, artnet DesignTV, FIAC, and More...

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artnet | artnet Auctions | artnet Artists A–Z | artnet Galleries | artnet Price Database | artnet Magazine
artnet Newsletter October 2011
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The Biennial as Curatorium
The Biennial as Curatorium Art historian Patricia Watts visits the 12th Istanbul Biennial and finds that an oddball curatorial approach does not get in the way of discovering interesting new art.  Read More  ►
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artnet DesignTV artnet DesignTV

Watch artnet Auctions Senior Design Specialist Brent Lewis interview Gaetano Pesce in his New York City studio.  View  ►
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artnet.fr and Fiac artnet.fr and FIAC

Partnering with FIAC, artnet.fr presents a series of limited interviews with artists whose artworks have been selected for the international Contemporary art fair, October 20–23 in Paris, France.  View  ►
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The Midcareer Question The Midcareer Question

With retrospectives of Glenn Ligon fading in the mirror and Maurizio Cattelan and Cindy Sherman coming up on the horizon, art critic Linda Yablonsky contemplates the pros and cons of the mid-career museum survey.
Read More  ►
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London Frieze Out for Kalup Linzy? London Frieze Out for Kalup Linzy?

An interview with Kalup Linzy, the hip New York artist who specializes in black–drag–queen humor (think Big Momma's House), on the night that he premieres his act at the Saatchi Gallery in London. Read More  ►
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LUXURYCULTURE.com
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Willem de Kooning: Beauty and the Beast Willem de Kooning: Beauty and the Beast

Art critic Donald Kuspit examines the Museum of Modern Art retrospective of famed Abstract Expressionist painter Willem de Kooning, and asks, "Who is de Kooning's woman?" Read More  ►
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Something Like Sirens Something Like Sirens

After challenging sexual propriety for more than 15 years, post-feminist painter Lisa Yuskavage makes room for her censorious audience in a new body of work, on view at David Zwirner Gallery in Chelsea. Read More  ►
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Pacific Standard Time Pacific Standard Time

Los Angeles art writer Hunter Drohojowska-Philp takes on the exhibition that ate Los Angeles—"Crosscurrents in L.A.: Painting and Sculpture from 1950 to 1970" at the Getty Museum. Read More  ►
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Currently on
artnet Auctions



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Gaetano Pesce, Monumental Resin Bowl
Gaetano Pesce
Monumental Resin Bowl, 2002
Flexible resin
15 x 36 x 36 in.
Est. US$8,000–10,000
€5,825–7,280
Bidding ends October 26


 
Andy Warhol, Electric Chair
 
Andy Warhol
Electric Chair, 1971
Screenprint
35.5 x 48 in.
Est.
US$9,500–11,500
€6,873–8,320
Bidding ends October 24


 
Edward Sheriff Curtis, An Oasis in the Badlands
 
Edward Sheriff Curtis
An Oasis in the Badlands – Sioux, 1905
Photogravure on Japanese vellum
15.88 x 19.75 in.
Est.
US$40,000–50,000
€28,940–36,175
Bidding ends October 25
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