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National Gallery of Art 4th & Constitution Avenue NW Washington, DC 20565 | Map Hours: Mon-Sat 10am-5pm, Sun 11am-6pm Admission is always free www.nga.gov | Subscribe | Unsubscribe | Forward to a friend |
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National Gallery of Art 4th & Constitution Avenue NW Washington, DC 20565 | Map Hours: Mon-Sat 10am-5pm, Sun 11am-6pm Admission is always free www.nga.gov | Subscribe | Unsubscribe | Forward to a friend |
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Orlando Museum of Art | 2416 N Mills Ave. | Orlando | FL | 32803 |
Lecture and Book Signing The Sculpture of Edgar Degas at the National Gallery of Art: Launch of a Landmark Publication Celebrating the publication of the Gallery's newest systematic catalogue, Edgar Degas Sculpture, Gallery conservators Shelley Sturman and Daphne Barbour and independent scholar Suzanne G. Lindsay discuss their extensive research on the art, history, and techniques of Degas' sculptures. The Gallery holds the greatest collection in the world of lifetime sculptures by the artist, and the volume presents this unique collection of 52 works in wax, clay, and plaster, as well as a dozen cast bronzes and one plaster, produced posthumously. (50 mins.) January 30, 2:00 East Building Auditorium |
Special Lecture Series The Pre-Raphaelite Brotherhood and Pre-Raphaelitism See The Pre-Raphaelite Lens: British Photography and Painting, 1848–1875, then listen to one of lecturer David Gariff's talks examining the works of the Pre-Raphaelite Brotherhood in the context of painting in Victorian-era Britain and Europe. "PRB": The Pre-Raphaelite Brotherhood (January 7), Dante Gabriel Rossetti and the Pre-Raphaelite Dream (January 14), and Aesthetic Pre-Raphaelitism (January 18). (Image: Dante Gabriel Rossetti, Jane Morris [The Blue Silk Dress], detail, 1868, oil on canvas. By Permission of the Society of Antiquaries of London) January 7, 14, and 18, 2:00 West Building Lecture Hall |
Film Program Ossessione From the January film series Neorealismo 1941–1954: Days of Glory, Luchino Visconti's legendary Ossessione (1942) is shown in a beautiful 35 mm print from the collection of Cinecitta in Rome. The film transposes James M. Cain's 1934 American novel The Postman Always Rings Twice to Mussolini's Italy and a scenic Po Valley setting, enhancing the narrative with melodramatic accents and a poetic naturalism worthy of writers like Pavese. (Image: Still from Ossessione, Luchino Visconti, 1942, Italian with subtitles, Photofest) January 15, 4:30 East Building Auditorium |
National Gallery of Art 4th & Constitution Avenue NW Washington, DC 20565 | Map Hours: Mon-Sat 10am-5pm, Sun 11am-6pm Admission is always free www.nga.gov Follow us on Facebook and Twitter (@ngadc) | Subscribe | Unsubscribe | Forward to a friend |