From today's fair edition:  NEW YORK. It is bonus time on Wall Street and although rewards are not back to pre-2008 levels, bankers with a taste for works of art once again have money to spend at the Armory Show, which opens today to invited guests. "New York's financial industry concentrates its bonus pay at this time of year and a lot of spending happens in its wake," says Gregory Miller, art collector and a managing director at investment bank Greenhill & Co, who is visiting the Armory and Independent fairs this week. Collector Julian Treger of investment fund Audley Capital, who will be at the Armory Show, agrees: "People have a whole bunch of money to spend in February, so March is the perfect time to put it to work—it's a good moment to have an art fair." READ MORE
Collectors queue to view classic modern and contemporary works Muammar Gaddafi's son, Saif, is also an architect, urban planner, and surrealist/symbolist painter Artists and museum directors back up Peter Noever following his resignation Insurance for sellers or market manipulation? Why auction guarantees are dividing the art trade Zabludowicz's collection (and son) debut in NY, and more events news all articles video  In the lead up to the 13th Armory Show hopes are high for a return of the spending power of some of New Yorks Financiers. Ahead of the show, whilst galleries put the finishing touches to thier booths, we caught up with some of the local and visiting exhibitors abotu thier thoughts ahead of what promisses to be an exciting Armory Show.
.  Stephen Shore talks to Jean Wainwright about his early works which saw him photographing Andy Warhol in his Factory. With stills from the era, this interview offers an insight into the workings of both Warhol and Shore. He also discusses his transition from black and white to colour photography, a move which gallery owner Paul Strand tried to convince him not to take.
more videos exhibitions  During the early 1970s, as today, New York was gripped by recession. Out of this harsh economic climate grew an experimental art scene that saw artists convert warehouses into live-work spaces where exhibitions, performances and dinners were held. Friends, collaborators and trailblazers of this movement—musician and performance the artist, Laurie Anderson, the choreographer, Trisha Brown, and the sculptor, Gordon Matta-Clark—are the subject of this Barbican show...
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