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The Art Newspaper newsletter

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The Art Newspaper newsletter

Lead

What happened to the Rothschild Chardins?

LONDON. An Art Newspaper investigation has identified gaps and discrepancies in accounts of the fate of the greatest ever collection of works by Chardin (1699-1779), which are said to have been destroyed in England during the second world war. The paintings belonged to Paris-based Henri de Rothschild, of the banking dynasty who, in 1931, is believed to have owned 33 paintings, representing about one sixth of the artist’s entire surviving oeuvre... READ MORE

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articles

Arles cultural centre falls foul of planning rules

French heritage authority wants Gehry-designed towers moved to reduce their impact on the city’s archaeology

Brandeis does the right thing

"For now, there is cause for celebration. Speaking truth to power by this small museum with a mighty collection and even mightier supporters has yielded a milestone decision for museums everywhere," says former Rose Art Museum director Michael Rush

Zahi Hawass remains antiquities minister—for now

A cabinet reshuffle may well end his term, but it is proving difficult to find his replacement

Dealer interview: Emmanuel Perrotin

“People imagine it must be easy for me now…”

The moustachioed surrealist sings

An opera based on the life of Salvador Dalí will premiere at the Gran Teatre del Liceu in Barcelona in October

Opposition grows to Jerusalem’s museum of tolerance

New building being constructed in a medieval cemetery is facing protests from minority groups

Detroit uses purchase funds to plug deficit

Director gets OK to divert $10m for acquisitions to balance Detroit Institute of Arts’ budget

Greatest German Renaissance Madonna sold by prince

Industrialist Reinhold Würth buys Holbein for over €50m

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video

Simon Lamuniere's last Art Unlimited

Simon Lamuniere talks about his final outing as curator for Art Basel's Art Unlimited which provides a platform for large scale installations and specially commissioned projects. We also look at Nari Ward's work which sees him gathering sneakers from the streets of Harlem, and Kendell Geers' brick piece which challenged visitors to think about the trails they left behind them. With interviews by Jean Wainwright..

Markus Schinwald's cut off vision

Markus Schinwald forces visitors to consider the significance of human legs in body language through the use of suspended walls constructed within the Austrian Pavilion at the 2011 Venice Biennale. With long queues patiently waiting outside, the Pavilion proved one of the highlights during the opening week of the Biennale.

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what's on

Last chance: Shubbak: a Window on Contemporary Arab Culture

video pictureLONDON. This July several of London’s biggest arts institutions are taking part in “Shubbak: a Window on Contemporary Arab Culture”, the largest festival of Arabic culture to be staged in the capital. The three-week programme has been organised by the office of the Mayor of London and around 50 partner organisations, including the British Museum, the Serpentine Gallery, the Southbank Centre and Tate Modern...

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jobs

Director, Tel Aviv Museum of Art

For a more detailed description of the position and requirements please visit the Museum's website: www.tamuseum.org.il/en/director
Send CVs to: director@tamuseum.com
Confidentiality Assured

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offers

4th Art & Finance Conference Rethinking the Art & Finance worlds: new issues, new boundaries, new actors

Deloitte Art & Finance Conference settles down this year in Miami, during the annual, not-to-be-missed, contemporary art exhibition: Art Basel Miami Beach.
This event will take place from 9.00 a.m. to 6.00 p.m. on Friday, 2 December 2011 at: The Ritz-Carlton, South Beach, Miami Beach, FL 33139 USA

Key topics will include:
  • A new art market company - A revolutionary business model
  • Museums funding issues - Between conservatism and disneyfication
  • Corporate collections - Tangible and intangible benefits
  • Art collectors from emerging markets - Motivation and art finance services needs
  • New art investment developments - A new generation of products and services
The panels will include a range of experts in the know, including art advisors and museum directors, corporate and private collectors, art research specialists and asset and wealth managers from the banking sector.

Free entrance by invitation only. The plenary session will be followed by a cocktail reception.
Please mark this date on your calendar. There will be an official invitation and the conference programme announcement in the coming months.  There will be a limited amount of places available, however, you can register your interest in advance by sending an email to luevents@deloitte.lu.

More information about this event is available at:http://www.deloitte-artandfinance.com

The Art Newspaper, 70 South Lambeth Road, London SW8 1RL

 

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