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Frieze Art Fair   Sponsored by Deutsche Bank

Frieze Art Fair

Buy Tickets by October 1 for Advanced-Ticket Rates

Visit Frieze Art Fair 2010 to take part in the contemporary art event of the year. Featuring 173 of the most interesting galleries working today, from Berlin to Los Angeles and London to Tokyo, the fair showcases new and established artists. Frieze Art Fair 2010 is sponsored by Deutsche Bank.

Following its success last year, Frame is supported by Cos and will comprise 25 young galleries from all over the world. Visitors can also experience, Frieze Projects presented in association with Cartier, which this year will focus on performative action and includes nine new works by artists including Spartacus Chetwynd, Matthew Darbyshire, Gabriel Kuri and Nick Relph. Frieze Talks will feature speakers including Bridget Riley and Wolfgang Tillmans . Frieze Film, including four new commissions and a curated programme, will be screened in a specially constructed cinema outside the fair that is free to the public.

Tickets are available at the discounted rate until midnight (GMT) October 1 2010.

Book tickets now

One Day Thu/Fri   Full Price £25   Until 1 October £15
One Day Sat/Sun   Full Price £25   Until 1 October £17.50
Concessions            Full Price £15    Until 1 October £10
Four Day                 Full Price £60   Until 1 October £40

Booking fee applies.
Box Office & 24 hour credit card hotline: See Tickets 08712303452 (UK) / + 44 (0)115 912 9000 (Calls cost 10p a min from a standard BT line).

Frieze Art Fair

Frieze Art Fair iPhone App

Frieze is launching a free iPhone and iPad app this autumn. The company’s first mobile app will be an invaluable tool for collectors, curators and general visitors to the 2010 Frieze Art Fair (14 – 17 October).

The key features of Frieze Art Fair’s app include an interactive map of the fair and ‘Art Finder’ a comprehensive search filter enabling visitors to navigate and browse the exhibited art works on their own terms by selecting specific media and size, as well as work priced under £5,000. The ‘Favourites’ section will act as a notebook and give users the opportunity to keep a record of artists, galleries and events of interest at the fair.

Frieze Art Fair 2010 iPhone app will be available as a free download on the iTunes store.

Frieze Art Fair

Sculpture Park 2010

The Sculpture Park offers a rare opportunity to see a significant group of international works that are addressed on a public scale. Presented in the wonderful setting of the English Gardens of Regent’s Park the Sculpture Park is located a short walk to the east of the entrance to the fair. Entry to the Sculpture Park is free to the public and is an opportunity for all to see work by some of the most interesting artists working today.

This year’s Sculpture Park presents works by a broad selection of artists, including some of the most acclaimed international sculptors working today. These include new works by Hans Peter Feldman and Ceal Floyer, as well as pieces by Marie Lund and Franz West.

Jeppe Hein, whose work Appearing Rooms on the Southbank of London was a hugely popular installation in 2008, will present 1-Dimensional Mirror Mobile (2009). Wolfgang Ganter and Kaj Aune’s piece, Trash (2010), is a moving installation that emits sound and smoke. For his work, Les Bikes de Bois Rond (2010) Gavin Turk has created 15 art bicycles that will be available for visitors to ride around the inner circle of Regent’s Park.

 

Frieze Art Fair, photograph Graham Carlow.



Frieze

Frieze Magazine

Issue 134: Out Now

This month, Christopher Williams talks to Willem de Rooij about conceptualism’s relationship to the image and how referentiality has become a mainstream convention. Following Williams’ major solo show at Kunsthalle Baden-Baden and De Rooij’s current exhibition at Berlin’s Neue Nationalgalerie, they discuss their respective practices, previous collaborations and why the adoption of photography was once a political choice.

On the occasion of Lynda Benglis’ major touring retrospective she discusses with Marina Cashdan her 40-year career. ‘When I came to New York I was part of a close circle of artists who were asking questions about where art was going and what art could be.’

In our Los Angeles City Report, Fritz Haeg asks what attracts artists to the city, whilst Jonathan Griffin maps LA’s powerhouse institutions, tiny project spaces, legendary art schools and artist-run initiatives.

Also in issue 134: Tom Morton looks to the art work of early man to find new ways to approach questions of representation today; Kirsty Bell explores how Klaus Weber uses imagination as a force of resistance; Sam Thorne traces social histories in the films of Elizabeth Price; and Emily King takes stock of designer Martino Gamper ’s ad-hoc solutions for living, be it remaking found furniture or organizing a makeshift ‘Trattoria’.

Plus, what’s hot and what’s not; Jennifer Allen on the dematerialization of the moving image; Owen Hatherley on new railway stations in Belgium and the UK; Hugo Wilken on French artist Éduoard Levé; and Snowden Snowden on what makes the ideal art school.

On the back page, Ai Weiwei answers the frieze 'Questionnaire'.

Reviews include: PS1’s ‘Greater New York 2010’; Mark Bradford at the Wexner Centre, Ohio; ‘Contemporaneity’ at the Museum of Contemporary Art, Shanghai; Kerry Tribe at Arnolfini, Bristol; Jo Baer & John Wesley at Matthew Marks, New York; ‘The New Décor’ at Hayward Gallery, London; Andreas Schulze at Sammlung Falckenberg, Hamburg and Sprüth Magers, Berlin, Germany and ‘Animism’ at Kunsthalle Bern.

 

Cover: Christopher Williams, Untitled (Study in Red) Dirk Schaper Studio, Berlin, April 30th, 2009 (2009)

Below: Lynda Benglis, Rumpled Painting/Caterpillar (1968)

 

Frieze.com

Frieze.com

Exclusively Online

In the Comment section, Anwyn Crawford traces the history of meat and performance, from Carolee Scheeman to Lady Gaga. What did you think of the meat dress? Read more and comment now.

Plus, Richard Unwin reports from the Poznan Biennial, the biggest exhibition of contemporary art in central Europe; Daniel Miller sends a postcard from Tiblisi and Valentin Diaconov reports from the 1st Ural Industrial Biennial.

Exclusive video and audio from issue 134, including: an interview with the architect Santiago Calatrava, excerpts from some of John Smith's favourite films and Richard Aldrich's performance with Jeff Perkins and Stefan Tcherepnin.

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