Reviewing the Paris Salon of 1868, the novelist and critic Émile Zola pronounced classical landscape painting dead, “murdered by life and truth.” This, for Zola, was not a lament but rather a celebration. In place of carefully composed traditional landscapes, Zola celebrated the rise of a new kind school of landscape painting. The key figures in this development were Camille Corot and the so-called Barbizon School, a group of painters working in the Forest of Fontainebleau. Bringing together works from the Museum’s permanent collection and a group of loans from local collectors, Life and Truth will include landscape paintings by artists such as Corot, Courbet, Théodore Rousseau, Narcisse Diaz, Charles-François Daubigny, and others, thus providing a context for the Museum’s own Haystacks at Chailly by Claude Monet, an important early work itself painted during a visit to Fontainebleau. |
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