A key figure in the history of 20th century design, Gustav Stickley is the single most important personality when discussing the Arts and Crafts movement in America. While Stickley did not create the movement – its roots are to be found in the philosophy and design of William Morris and others in Britain – Stickley's role in the incredible growth and popularity of the movement in America cannot be overestimated. His name and that of his magazine, The Craftsman, are virtually synonymous with the Arts and Crafts style.
This exhibition gives a sweeping survey of Stickley's work as a designer and demonstrates how his furniture, textiles, architectural designs, and metalwork were part of a broader philosophy for living. Through his catalogues, and especially through The Craftsman magazine that he published, Stickley was the first American designer to offer not only furniture and furnishings, but also an entire lifestyle. Although Stickley's was a commercial venture, it still adhered to a consistent design philosophy, one summed up in the words of William Morris: "Have nothing in your house that you do not know to be useful, or believe to be beautiful."
A richly textured show, this exhibition offers something for everyone. Visitors who are already familiar with Stickley furniture will be rewarded by a rare opportunity to see some of the finest surviving examples of his work, the majority of which are from private collections. For those less specifically interested in Craftsman design, the exhibition offers a fascinating look at the history of American taste and of the ways in which a philosophy can be used to promote a style.
Despite Stickley's importance, there has never been an exhibition dedicated to him, so do not miss the opportunity to see his work at The San Diego Museum of Art, the third and final venue for this show.
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