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The Art Newspaper newsletter

Lead

Backlog in Baghdad

BAGHDAD. The staff of Iraq’s National Museum are struggling to create an inventory of its war-torn collection, so far documenting 20,000 antiquities, less than 10% of its approximately 240,000-strong holdings. These figures have been revealed by Lamia al-Gailani Werr, a London-based scholar who used to work at the museum and recently returned from a visit to Baghdad. At this rate it will take the museum nearly a century to catch up on the backlog...READ MORE

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articles

Long loan makes Barcelona a Matta-Clark centre

Collector Harold Berg has agreed to lend "indefinitely” a cache of photographs by the artist

Sixty artists for 60 years of Pope Benedict's priesthood

The head of the Roman Catholic Church appeals to artists, architects and musicians to create works that inspire truth and charity

Alhambra to open hidden secrets

A new sustainable tourism initiative will improve foot traffic and provide virtual access to vulnerable spaces in the palace complex

A very English modernism

Finding the avant-garde in the countryside, while downplaying the influence of refugees from fascism

My life as an undercover negotiator

National Portrait Gallery director Sandy Nairne had a sensitive, secret role in recovering the Tate’s stolen Turners

Up and coming in Hudson

Collectors and artists flock to upstate New York

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video

Pavilion Feature - Greece

Artist Diohandi explains how she 'renewed' the Byzantine architecture of the Greek pavilion in Venice's Giardini, creating an area of quiet calm in the heart of the bustling Biennale.

Jesus Is My Homeboy - David LaChapelle

Anna Somers Cocks talks to Photographer and Film Director David LaChapelle about his exhibition, Jesus is my Homeboy, which showed at Robilant + Voena's London Gallery.

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what's on

Renaissance Faces: Masterpieces of Italian Portraiture

video pictureBERLIN. The cliché has it that the Renaissance was the period in which the “individual” came into being. Like all clichés, this is both true and overly simple. Nevertheless, the emergence in 15th-century Italy of the personal portrait as a distinct and polyvalent art form is indisputable. This show of about 160 works, in media such as manuscript illumination, marble sculpture and bronze medals, in addition to the lion’s share of paintings, is a collaboration between Stefan Weppelmann, the curator of early Italian and Spanish paintings in the Gemäldegalerie, Berlin, and Keith Christiansen, the John Pope-Hennessy chairman of European paintings at the Metropolitan Museum of Art, New York, and between their two institutions...

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jobs

MA courses in the history and business of art, IESA (Institut d'Etudes Superieures des Arts)

IESA offers two MAs for students wishing to enter the art world one on the history of collecting and one on the contemporary art market.

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